Résumé

Kent Matheson

Art Lead · Principal Artist · Art Director

empiredeluxe@gmail.com 20+ years in AAA games, VR & film

Profile

Visual quality, direction & delivery.

Art Lead and Art Director with 20+ years across AAA games, VR, and film — specializing in visual quality ownership, external studio direction, and bridging high-level creative vision with in-engine execution. Shipped AAA titles at Ubisoft and Impulse Gear; held AD-level roles at Ubisoft, Hangar 13/2K and Tippett Studio. Deep experience directing outsourcing partners, building review pipelines, mentoring artists, and maintaining cohesive visual identity across characters, environments, VFX, and cosmetics. Comfortable working with established IPs, navigating approval pipelines, and translating creative intent clearly across internal departments and distributed, cross-time-zone teams.

Experience

Professional history.

2025 – Present

Chaos Manufacturing

Art Director

  • Leading art development and look direction for an in-development game project.
  • Managing remote artists, planning scope and defining tasks with the Game Director.
  • Designing key art and directing look development.
2021 – 2024

Ubisoft

Senior Concept Artist / Lead Concept Artist / Cosmetics Art Director

Shipped AAA title: XDefiant (live-service FPS) — progressed from Senior Concept Artist to Lead and Cosmetics AD over three years.

Cosmetics Art Director · 2024

  • Planned the full cosmetics lineup and styling direction for upcoming seasonal content.
  • Refined cosmetics review processes, improving throughput and alignment across Art Directors and Producers.
  • Collaborated with Art Directors and Production to scope and coordinate team efforts.

Lead Concept Artist · 2022 – 2024

  • Shipped AAA title XDefiant — led concept and cosmetics art creation from production through launch.
  • Managed outsourcing studios, conducting reviews and ensuring quality and consistency with project art direction.
  • Developed and refined review pipelines, improving workflow efficiency and feedback clarity across distributed teams.
  • Designed environments, characters, and assets — defining key visual styles across factions, maps, and cosmetics.
  • Built resource libraries and documentation to enhance team productivity and maintain long-term visual cohesion.
  • Mentored junior and mid-level artists, elevating visual quality and supporting their professional growth.
  • Partnered with design teams on environment development, readability, and gameplay-focused visual storytelling.

Senior Concept Artist · 2021 – 2022

  • Created designs for environments, characters, and props; worked with junior artists to define and elevate visual quality.
2018 – 2021

Impulse Gear

Concept Art Lead

Shipped title: Larcenauts (stylized VR game, Unreal Engine).

  • Oversaw character, asset, and environment design from concept through ship on a stylized VR action title.
  • Designed immersive game environments in Unreal Engine, ensuring visual consistency and gameplay readability.
  • Led UI style design and implemented graphical elements across the full player experience.
  • Contributed to additional studio projects and pitch development, supporting early-stage IP worldbuilding.
Sep 2017 – Feb 2018

Hangar 13 / 2K Games

Associate Art Director

Unannounced AAA title.

  • Led Look Development artists during early development on an unannounced AAA project.
  • Created key art and visual direction, establishing early production benchmarks and style targets.
  • Developed material pipelines in collaboration with technical teams.
  • Collaborated with engineering on environment cloud and weather systems — bridging art and technical implementation.
Oct 2013 – May 2017

Tippett Studio

Head of Environments

  • Built and led the 3D environment team and production pipeline from the ground up for film, television, and ride projects.
  • Collaborated with artists across disciplines to ensure high-quality delivery across multiple simultaneous projects.
  • Worked with technical artists to design and implement a 3D asset browsing and delivery system.
  • Art Directed initial pitches and visual development for environment projects.
  • VES Award nominee — Dream of Anhui (immersive ride project).
Apr 2012 – Aug 2013

Image Engine Design

Environments Design Supervisor

  • Led environment visual development and art direction in early production of the feature film Elysium.
  • Developed designs and matte paintings grounded in architectural, industrial, and real-world reference.
  • VES Award nominee — Excellence in Environment Design (Elysium).
Aug 2009 – Mar 2012

Industrial Light & Magic

Matte Painter / 3D Generalist

  • Created 3D matte paintings and cinematic environments for major productions: Avatar, Star Wars Episode II, Pirates of the Caribbean.

Competencies

What I bring to a production.

External Studio Leadership & Cross-Time-Zone Direction

Directed outsourcing and co-development partners at Ubisoft across distributed, multi-time-zone productions — building review pipelines, communicating creative intent clearly, and holding studios to a consistent AAA quality bar.

AAA Visual Quality Ownership

Hands-on quality elevation: paintovers, written callouts, material and lighting notes, silhouette and readability feedback. Strong fundamentals across composition, color, anatomy, atmosphere, and environmental storytelling.

IP & Approval Pipeline Experience

Worked within established IP frameworks at Ubisoft, navigating approval workflows and relaying IP-holder feedback clearly to development teams, balancing canon, creative intent, and gameplay needs.

Concept → In-Engine Production Bridge

Closing the gap between concept intent and final in-engine execution — collaborating with Tech Art, Design, and Production to keep assets performant, readable, and on target. Comfortable in Unreal Engine workflows.

Team Building, Mentorship & Pipelines

Built and led teams from scratch at Tippett Studio and Impulse Gear — developing pipelines, asset systems, documentation, and style guides. Mentored artists across multiple studios.

Toolkit

Tools & technology.

Education

Study.

BA — Communication & Design / Fine Arts

Ontario College of Art

History & Literature — Mythology & Archetypes

Concordia University